

In Justiça, Maria Ramos puts a camera where many Brazilians have never been – a criminal courtroom in Rio de Janeiro, following the daily routine of several characters. There are those that work there every day (public attorneys, judges, and prosecutors) and those that are merely passing through (the accused).

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Harry Dean Stanton: Partly Fiction
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The Crash Reel
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Heart of a Dog
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Beyoncé: Life Is But a Dream
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Love, Marilyn
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Love, Gilda
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Seduced and Abandoned
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Making 'The Shining'
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Feminists: What Were They Thinking?
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Cameraperson
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Showrunners: The Art of Running a TV Show
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