Few films wield the awesome spiritual power of Jazz Dance, on which Leacock was one of two cameramen charting the slow, smoldering build of a Manhattan dance club from idle space to explosive, carnal bacchanal. Employing handheld cameras, limited light and sheer proximity, the film achieved an intimacy never before witnessed in a documentary.
—Selena Gomez: My Mind & Me
2022
—Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
2019
—One Direction: This Is Us
2013
—Justin Bieber's Believe
2013
—Bad 25
2012
—Crossfire Hurricane
2012
—Katy Perry: Part of Me
2012
—The Velvet Underground
2021
—Travis Scott: Look Mom I Can Fly
2019
—Biggie: I Got a Story to Tell
2021
—Joy Division
2009
—The Last Waltz
1978
